Source facebook.com
JENI x Adrian Per // Only Wanna Give It To You (Elle Varner cover)
Here’s a new youtube video. Had fun with this one! Haight street for y’all! Woot.
Download: http://www.hulkshare.com/i6ovlvnblydi
JENI
Youtube / Twitter / TumblrAdrian Per
Youtube / Twitter / Tumblr
Hope you guys enjoy it! Feel free to reblog and share it ;-)
-JENI
Swaggin it out on Haight street! Peep it!
Source jennysuk
MYX TV Feature: Infinity Funk Project, Inner Circle (IC3), DJ Agana, Mary Jane Clothing, LittleHONEYvee, Empire In The Air, Project PEARLS, Hungry Bumz
Credits: @MYXTV
Hungry Bumz: @TheHungryBumz
Empire In The Air: @EmpireInTheAir
Project PEARLS: @ProjectPEARLS
LittleHONEYvee: @LittleHONEYvee
Mary Jane Clothing: maryjaneclothing.com
DJ Agana: superduperjustin.tumblr.com
Inner Circle Clothing: @IC3crew
Infinity Funk Project: infinityfunkproject.com
Directed: @ChristianBustos/DJ Agana
Produced: @Arisdotcom/@Eternal_Cowlick
Lyrical Opposition: @LyricalOps
Source myx.tv
Electronic Press Kit of Lyrical Opposition
0:00 - The Miz
0:33 - Alfluent (Lyrical Opposition)
0:50 - Lyrical Opposition
1:04 - Mr. Robotic
1:10 - Dae-Dae Amadeus
1:15 - Cross Allan (Lyrical Opposition)
1:20 - Cross & Alfluent
1:35 - 4Play Ladies
1:40 - Cross & Son the Gifted
1:58 - UFC Trainer Girls
2:08 - Evolution Movement
2:16 - AJ Rafael
2:27 - O.D. (Lyrical Opposition)
2:34 - Alfluent & O.D.
2:43 - Alfluent & Cross
2:49 - Cross & Y-Projects
3:05 - Dance VS Battle Girls
3:14 - Hungry Bumz
3:21 - Mo Chocolate (PS3: The Tester)
3:25 - 6Fingers (Beatrock Music)
4:20 - Arika Sato
4:28 - Kierra Folsom
5:30 - Chris Petallano & O.D.
6:16 - Random Abiladeze
7:10 - 6Fingers
7:33 - Dae-Dae Amadeus
8:06 - AR Drone
8:16 - Summer Breeze
8:25 - Jessica Cheung (Razer)
8:31 - Hopie Spitshard
8:55 - MYX TV
Lyrical Opposition consists of three emcees and one hypeman:
Alfluent (Alex Osborne)
Cross Allan (Christian Allan Bustos)
O.D. (Greg Steward II)
Dae-Dae Amadeus (Graylin Brice)
http://www.lyricalopposition.com
http://www.facebook.com/lyricalopposition
http://www.twitter.com/lyricalops
http://www.youtube.com/lyricalopposition
Source youtube.com
Viddy V Feat. Ruby Ibarra - (San Lo) Rebel
DOWNLOAD HQ MP3:
http://hulkshare.com/wbnmt1vbrz3a
http://www.mediafire.com/?82m5vh6l4230h11
Lemme know what yall think! ;) I promise there’s bout to be a whole lot of new music comin from me real soon and the first video off my upcoming mixtape is droppin later this month
Source youtube.com
During our mission trip to the Philippines last year, I came across this child that was asleep on the concrete.
I asked myself, How do we live in a world that allows such a thing to happen?
12.8 children in the Philippines lives in poverty. 2.2 million are forced into labor. 6 million are malnourished. And about 100,000 children are forced to become sex slaves. These children face not only income poverty but disturbingly includes deprivation from food, shelter, health, education, water, sanitation facilities, electricity and information.
To see a photo of a child suffering causes one to feel sympathy, but you are removed from an image – it’s happening somewhere else. To see a child suffer in person inspires one to create a world where children don’t have to face such an existence.
Every year, we travel to the Philippines and we provide education and resources that improves the health and academics of children living in poverty throughout the rural areas of the Philippines, where 9.2 million of the 12.8 million children living in poverty can be found. Through The Bridge Program, children learn the importance of proper hygiene, water purification, and other ways to improve their health. We teach performing arts including breakdancing, hip-hop, modern dance, poetry, and music. We provide much needed supplies and equipment. Since 2009, Soulciety has donated 100 fully-functioning computers, 14,000 books, 13,000 hygiene supplies, 8000 school materials, 1500 pairs of shoes, and numerous boxes of medicine. In the past few years, this program has reached about 15,000 children throughout the Philippines.
Later today, 9 mentors from the Bay Area and New York will be traveling to the Philippines for 3 weeks to provide aid and education to children in impoverished rural communities of Batangas, Negros, Bohol, and Pampanga.
Follow us on our journey beginning January 18. We will be blogging our visits to the villages and schools, performances, health & creative arts workshops, cultural adventures, our impact with the children and their impact on us.
For more information, check out www.soulciety.org/the-bridge
~ Ron Cariño, Executive Director of Soulciety
Source soulciety
#LyricalOpposition #PosterWars #BurritoLife (Taken with Instagram at Taqueria El Farolito - Excelsior)
Chillin’ w/ A-Plus of Souls of Mischief/Hieroglyphics #93TIL #SoulsOfMischief #Hieroglyphics #LyricalOpposition #Hiero (Taken with instagram)
@Alfluent @ChristianBustos @SontheGifted Recording Cloud 9 and Obliteration
#lyricalopposition in the studio w/ @omgadrian @mackmole @troyvintage @christianbustos @lyricalops (Taken with instagram)
Intermission @Pianofight supporting @bochanmusic’s friend @theTobyDick at A Merry Forking! Christmas. #OriginalScore 446 Valencia#BeastWithTheKeys #ApplauseForPhoneCall! (Taken with Instagram at Stage Werx 446)
Chnam Oun 16 - Bochan
Chnam Oun 16, also referred to as l6, translates to “I am 16”. It was originally performed by Ros Sereysothea, one of Cambodia’s most memorable artists during the great Khmer musical era of the 1960s and 70s. The lyrics of the original song is the story of a young woman turning sixteen, which marks the age of coming into womanhood. The young woman is full of curiosity, and is eager to experience what life has to offer. When I first heard Ros Sereysothea sing the words to this song, I felt she challenged the rigid gender roles of her own culture and time by showing that women can have the power of choosing their own experiences, as well as their suitors. Patriarchal societies like Cambodia have long treated women as second-class citizens. Like most cultures, women have come along way in making their voices heard. In our rendition of Chnam Oun 16 the theme of empowerment resonates throughout the music video and transpires from the empowerment of women, to the survivors of war and genocide, and of all people.
The video uses fashion as a medium to show the progress and coming of age of women, as well as an entire culture. From the traditional colorful silk attire to the famous Apsara headdresses of the Angkorian era, to the urban street wear accented with family heirlooms, we see how a culture has grown and remained intact since the diaspora. We partnered with Nomi Network, a non-profit organization dedicated to eradicating sex trafficking in Cambodia by providing jobs to women who are vulnerable to sex trafficking. Totes crafted by these women stating, “Buy my bag, not my body” are worn by many of the cast. By offering them a job crafting handbags, these women are empowered as they now have a choice at their own destiny.
By the end of the video, we see folks from all walks of life coming together sharing in their pain, overcoming their struggles, and in the end uniting. Pictures of victims and family and friends who we’ve lost along the way are shown and some come to life reminding us that we do not need to run from these memories but rather we must embrace them in order to move on. We carry their images because we know they will always be with us. There are references to the Angkor Empire to remind us of the strength of our ancestors, instead of dwelling within the painful memories of a lost generation.
The Cambodian music scene has progressed very little since the Khmer Rouge war, in large part due to the killing of many musicians. Over the last 40 years nearly no new original music has been written. Growing up in the Cambodian music circuit I heard the original version of the song at every musical event. Bringing this song back is not intended to revive a lost musical era, but rather as an agent of change. Familiar tones are heard in the song, in conjunction with hip-hop and reggae, the old meets the new and arrives somewhere different than both. Reworking a classic Cambodian rock song and adding modern elements to the song pays homage to Khmer musicians and at the same time develops new ideas and creates a distinct genre. The added verse in English has the same message as the original song, but speaks of a woman who grew out of the chaos and fear and found her own voice to be powerful and inspiring. It is time for us to look back not with fear, but with the inspiration to change.
My father, whom this video is dedicated to, was my musical life. I am able to keep my father alive through music. He is with me at every performance and in every studio. He carried me from my war torn home all the way to this moment. The video carries the viewer through the 40 years since the war, from the fields and the Apsaras to the rally in the streets of the urban world, where we are all equal and united. ~ Bochan
For folks outside of the U.S & Canada, view the video here- http://www.youtube.com/watch?v=q9syflhJc38
Source bochanmusic.com





